My Artist Statement
My abstract paintings encapsulate my perception of the natural world. Nestled in my studio, surrounded by the rugged and dramatic landscapes of weathered cliffs, ancient forests, and shifting tides, I find endless inspiration. Using cold wax and oil, I aim to evoke a sense of timelessness embedded within these landscapes. Through scraping, scratching, and dissolving layers, then rebuilding them, I reveal glimpses into the hidden depths and remnants left behind.
Texture is a cornerstone of my work. During my daily hikes through the coastal landscape, I am drawn to the tactile experiences of nature, from the smoothness of a cool stone to the roughness of bark. My paintings incorporate a variety of textures to invite tactile engagement, offering an invitation to experience the essence of natural elements through touch.
I work intuitively, with each alteration to a painting leading to new, unplanned compositions. I respond to the evolving canvas by making further changes, akin to solving a puzzle—each piece shapes the next. I am particularly captivated by spontaneous line work, often creating loops and swirls that symbolize freedom and untamed landscapes.
Joan Mitchell’s philosophy deeply resonates with me: “I paint from remembered landscapes that I carry with me - and remembered feelings of them, which of course become transformed. I could certainly never mirror nature.” This mirrors my own approach as I transform the essence of nature into my personal visual language.
About Me
My work has been juried at the Signature Level by the Federation of Canadian Artists (FCA) and in 2023 I was awarded Associate status, AFCA. The definition of this status by the FCA is “ The quality of work by this artist is judged to be excellent.” Currently there are 225 AFCAs throughout Canada.
My artwork has been part of group exhibitions held by The Gallery George in Vancouver, the New York Visionary Art Collective, the Toronto Kefi Gallery, the Vancouver FCA Gallery, the AGGV (Art Gallery of Greater Victoria), The Saltspring Island Artcraft Gallery, The Hope Bay Gallery on Pender Island, BC. and the Plaid Moose Gallery. I picked up a paint brush for the first time 17 years ago and fell in love with the process of creating art. At that time I was a corporate lawyer and my first exposure to painting was through evening courses with the Ottawa School of Art. As art became my passion and my focus, I transitioned to become a full time artist. I am fascinated by the world of art and I continue to explore ideas and seek to improve my skills by taking courses and workshops.
"I work in order to strive for what I've not yet accomplished, where I've not yet been, and what I still don't know." - Richard Diebenkorn